exhibition | Fernando do Campo | Siblings, ararat gallery tama, until 22 june 2025
Image: Escarapela Capricorniana (Amparo) (detail), acrylic on canvas, school uniforms and Surf Live Saving uniforms, lanyards, metal medals, thread, plywood, 2024. Courtesy of the artist and Gallery Sally Dan-Cuthbert, Sydney. Photography: Shan Turner-Carroll.
EXHIBITION: 50 Years of Collecting, DEAKIN UNIVERSITY ART GALLERY, until 4 April 2025
Image: Deanne Gilson Karringalabil Bundjil Murrup, Manna Gum Tree (The Creation Tree of Knowledge) 2020 ochre and acrylic on linen 90 x 100 x 3cm Deakin University Art Collection Purchase, 2021 image © copyright and courtesy of the artist.
Belong, Trust, Connect
Community History Awards - Winners Announced
Creative Workforce Scoping Study
Humphrey Clegg to lead Geelong Gallery
PGAV Equity and Action Plan 2025-28
Audience Research Toolkit
2025 Geelong Acquisitive Print Awards
Hany Armanious: Stone Soup
New Directions—Prints by Australian Women Artists 1960s–2000s
re/JOY—Vipoo Srivilasa
After Image
Who’s Who Portrait Exhibition
Archibald Prize 2025
Views of Geelong and Beyond—Treasures from the Collection
VAS 9x5 Exhibition 2025
Brett Whiteley: Inside the Studio
THE VEIL
HOME 25: Invisible Cities
Janenne Eaton: Lines of Sight—Frame and Horizon
ngurrak-al marram-u / body of the mountain
Australian Tonalism: A selection from the John and Peter Perry Collection
Imprint: Word Play in Art Space
James Tylor: Turrangka...in the shadows
New Wave 25
TarraWarra Biennial 2025: We Are Eagles
Plastic Problems
Pages of Me: A Bird, an Eye, Clouds, Ice cream by Beci Orpin
Between the Details: Video Art from the ACMI Collection
Metropolis
Sir Leslie Thornton: Castlemaine Art Museum's First Blockbuster
Everything is holy: contemporary jewellery
Current / Teho Ropeyarn
Frida Kahlo: In her own image
Modern Lives—Prints by Australian Women Artists 1900s–1960s
Old School
Cyclovita by Sanjin Smitran
Stitchin’ Stories: Blak & Threadly
Jaren | جڑیں | Roots | جذور at Bundoora Homestead Art Centre
Miles Howard-Wilks: Magpie and Mates
Clay on Country – ceramics from the central desert
Deep Time Real Time: The 2025 Alastair Swayn Legacy Exhibition
The John Norman Mann Bequest
Roger Kemp—Sequence
Yvonne Audette—Observation and Experience
The Shape of Things to Come
PRICK! Needlework Now
Storytelling Liberation
Simon Fisher: From red earth and big sky
Two Girls from Amoonguna
50 Years of Collecting
Image Economies
Jaren | جڑیں | Roots | جذور at LaTrobe Art Institute
ROAR: Celebrating Women in Music
Fairy Tales from the Celestial Garden
YELLOW PAINT
Material cause: art x textiles in Bendigo Art Gallery's collection
YAYOI KUSAMA
Michael Zavros: Gods and Monsters
Tony Clark: Unsculpted
TREATY
Living Connections: Reflections on care, kinship, and Country
SCI-FI: Mythologies Transformed
Melbourne Out Loud: Life through the lens of Rennie Ellis
The Public Galleries Association of Victoria (PGAV) acknowledges the Wurundjeri Woi-Wurrung people of the Kulin Nation as the Traditional Owners of the lands where our office is located, and all Traditional Owners of country throughout Victoria and Australia. We recognise Aboriginal and Torres Strait Islander peoples enduring traditions and continuing creative cultures. We pay our respect to Elders past, present and emerging.
We are an LGBTQIA+ friendly organisation that celebrates diversity. We are committed to providing safe, culturally appropriate, and inclusive services for all people, regardless of their ethnicity, faith, disability, sexuality, or gender identity.
